Never Go Back
Harry Barnett thought he had left his military career behind, so he is startled when two figures from his past turn up on his doorstep after fifty years. An old friend has organised the reunion to end all reunions: a weekend in the Scottish castle where the ex-comrades took part in a psychological experiment many years before. They haven’t seen each other since.
In northern Iceland, 1829, Agnes Magnúsdóttir is condemned to death for her part in the brutal murder of her lover.
Agnes is sent to wait out her final months on the farm of district officer Jón Jónsson, his wife and their two daughters. Horrified to have a convicted murderer in their midst, the family avoid contact with Agnes. Only Tóti, the young assistant priest appointed Agnes’s spiritual guardian, is compelled to try to understand her. As the year progresses and the hardships of rural life force the household to work side by side, Agnes’s story begins to emerge and with it the family’s terrible realization that all is not as they had assumed.
Based on actual events, Burial Rites is an astonishing and moving novel about the truths we claim to know and the ways in which we interpret what we’re told. In beautiful, cut-glass prose, Hannah Kent portrays Iceland’s formidable landscape, in which every day is a battle for survival, and asks, how can one woman hope to endure when her life depends upon the stories told by others?
Burial Rites is perfect for fans of Alias Grace by Margaret Atwood and The Lifeboat by Charlotte Rogan.
Now in his mid-thirties, Nathan Zuckerman, a would-be recluse despite his newfound fame as a bestselling author, ventures onto the streets of Manhattan in the final year of the turbulent sixties. Not only is he assumed by his fans to be his own fictional satyr, Gilbert Carnovsky (“Hey, you do all that stuff in that book?”), but he also finds himself the target of admonishers, advisers, and sidewalk literary critics. The recent murders of Robert Kennedy and Martin Luther King, Jr., lead an unsettled Zuckerman to wonder if “target” may be more than a figure of speech.
In Zuckerman Unbound—the second volume of the trilogy and epilogue Zuckerman Bound—the notorious novelist Nathan Zuckerman retreats from his oldest friends, breaks his marriage to a virtuous woman, and damages, perhaps irreparably, his affectionate connection to his younger brother…and all because of his great good fortune!
Aunt Dimity and the Summer King
There’s trouble in Finch. Four recently sold cottages are standing empty, and the locals fear that a developer plans to turn their cozy village into an enclave of overpriced weekend homes. But for once Lori Shepherd can’t help.
Her infant daughter, her father-inlaw’s upcoming wedding, and the crushing prospect of her fortieth birthday have left her feeling inadequate and overwhelmed. Until, that is, she has a chance encounter with an eccentric inventor named Arthur Hargreaves. Dubbed the Summer King by his equally eccentric family, Arthur is as warmhearted as the summer sun. In his presence, Lori forgets her troubles—and Finch’s.
But Lori snaps out of her happy trance when she discovers detailed maps of Finch in the Summer King’s library. Next, a real estate agent comes knocking. Is Arthur secretly plotting Finch’s demise?
With Aunt Dimity’s otherworldlym help—and her new daughter in her arms—Lori mounts a crusade to save her beloved village from the Summer King’s scorching greed.
Stones from the River
From the highly acclaimed, award-winning author of Floating in My Mother’s Palm comes a stunning novel about ordinary people living in extraordinary times.
Trudi Montag is a Zwerg—a dwarf—short, undesirable, different, the voice of anyone who has ever tried to fit in. Eventually she learns that being different is a secret that all humans share—from her mother who flees into madness, to her friend Georg whose parents pretend he’s a girl, to the Jews Trudy harbors in her cellar.
Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth
Fight for Truth
Most people on the planet Kegan don’t want to have anything to do with the rest of the galaxy. But when a young potential Jedi is discovered there, Qui-Gon Jinn, Adi Gallia, and their apprentices, Obi-Wan and Siri, are compelled to visit this strangely isolated world.
They are not welcomed with open arms. Instead, Qui-Gon and Adi find themselves caught in a web of deception while Obi-Wan and Siri are imprisoned in a school where thought is dictated, dissent is forbidden, and detention is permanent.
On this planet, the Jedi must fight for truth…even though nobody wants to face it. (l
Beautiful Darkness is the second bewitching instalment in the bestselling love story Beautiful Creatures – a romance that is bound to capture the hearts of Twilight fans everywhere.
Some loves are meant to be. Others are cursed . . .
One night in the rain, Ethan Wate opened his eyes and fell in love with Lena Duchannes. His life would never be the same.
Lena is a Caster and her family is locked in a supernatural civil war: full of darkness and demons. On her sixteenth birthday Lena made a terrifying choice, which now haunts her day and night.
And as her seventeenth birthday approaches Lena and Ethan face even greater danger. A Caster and a Mortal can never truly be together.
A Book of Memories
This extraordinary magnum opus seems at first to be a confessional autobiographical novel in the grand manner, claiming and extending the legacy of Proust and Mann. But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe’s recent past. “A Book of Memories” is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator’s adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator’s own experiences. A third voice is that of a childhood friend who, after the narrator’s return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.
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