There’s trouble in Finch. Four recently sold cottages are standing empty, and the locals fear that a developer plans to turn their cozy village into an enclave of overpriced weekend homes. But for once Lori Shepherd can’t help.

Her infant daughter, her father-inlaw’s upcoming wedding, and the crushing prospect of her fortieth birthday have left her feeling inadequate and overwhelmed. Until, that is, she has a chance encounter with an eccentric inventor named Arthur Hargreaves. Dubbed the Summer King by his equally eccentric family, Arthur is as warmhearted as the summer sun. In his presence, Lori forgets her troubles—and Finch’s.

But Lori snaps out of her happy trance when she discovers detailed maps of Finch in the Summer King’s library. Next, a real estate agent comes knocking. Is Arthur secretly plotting Finch’s demise?

With Aunt Dimity’s otherworldlym help—and her new daughter in her arms—Lori mounts a crusade to save her beloved village from the Summer King’s scorching greed.

Combining the atmosphere of Jess Walter’s Beautiful Ruins with the intriguing historical backstory of Christina Baker Kline’s Orphan Train, Deborah Lawrenson’s mesmerizing novel transports readers to a sunny Portuguese town with a shadowy past—where two women, decades apart, are drawn into a dark game of truth and lies that still haunts the shifting sea marshes.

Traveling to Faro, Portugal, journalist Joanna Millard hopes to escape an unsatisfying relationship and a stalled career. Faro is an enchanting town, and the seaside views are enhanced by the company of Nathan Emberlin, a charismatic younger man. But behind the crumbling facades of Moorish buildings, Joanna soon realizes, Faro has a seedy underbelly, its economy compromised by corruption and wartime spoils. And Nathan has an ulterior motive for seeking her company: he is determined to discover the truth involving a child’s kidnapping that may have taken place on this dramatic coastline over two decades ago.

In her first adult novel, Woodson–already acclaimed in both the African-American and lesbian and gay worlds for her award-winning short fiction–paints a moving portrait of childhood, family, and community that takes into account both the destruction wrought by war and the darker sides of emotional and sexual tension.